Hi, Tessa here. Since 2002, I've been writing advice articles for West Coast Swing from my perspective as a WCS Champion and 30 years as a professional teacher and coach. My mission is to help dancers #trainWCSsmarter and teachers #teachWCSsmarter, which we do thoroughly in our Swing Literacy training programs.
These articles are my way of contributing some free, bite-sized education to the community to help inspire and motivate with practical, actionable advice for your dancing & teaching. . Be sure to scroll down to load more (pause to allow more to load)
I highly encourage everyone to leverage these free resources by sharing them in your community groups and with friends you know who could use them. Enjoy!
Since there is no universal criteria for judging West Coast Swing competitions, if you’re like most competitors, you’re in the dark about what actual skills the judges are judging in Jack & Jills.Musicality as an art is subjective, but as a skill it’s quite easily defined. The question we get asked about it most often
This is Part 3 in a 4-part series. If you have read Part 1: Social, and Part 2: Skills, skip down to the Part 3: Competition section by clicking here. Otherwise, keep reading. It’s the new year – typically a popular time to reassess and take stock, but this year we’re a lot wiser than we have ever been.Have you actually
So you’ve decided it’s time to try competing and you are getting ready to to compete for the first time? The advice you will often hear is “just have fun!”. But while encouraging, this is not actually that helpful. You don’t need to try to have fun – you will have fun organically if you set
Are you winning yet? “Winning” is not only about the final placement. You don’t even have to be competitive to be “winning”. In our WCS competition scene, while many dancers ambitiously chase points, others are kicking their butts in other aspects – winning games that have no trophies or prize money, but are invaluable
Are you curious about what it takes to do a Rising Star routine? Are you an event director interested in supporting and promoting the next generation of routine competitors? You probably have a lot of questions. This article is aimed at answering them: Who should compete? What is the purpose of the tour? How
It’s hard to see the forest for the trees. Beyond your local classes, what else is out there? And how do you know if it’s for you? Wouldn’t it be nice if there was a diagram or flowchart showing all the components of this West Coast Swing world and how they fit together? Showing
The West Coast Swing world is a strong supporter of social dancing: the improvisation side of the dance. The idea of speaking a language in order to carry on a conversation with anyone in the world without planning, is of the highest value. However, almost all dance forms have a facet to them that
Ah, the eternal competitor question… “What are the judges looking for?” Consider that judges are not necessarily “looking for” positive elements of your dance as much as they are “looking to eliminate” negative elements. We call these “red flags”: bad habits or errors that prevent judges from giving you a callback to the next round.
Our Lessons in Partnership: 15th Anniversary Edition
April (Seattle’s Easter Swing) marks the 15-year anniversary of our dance partnership! As a rare breed of Champion couple who has been able to make a dance partnership AND romantic partnership work, I thought it might be nice to honour it by sharing the lessons we have learned along the way. Every couple has
It’s US Open season! This means many competitors are hard at work preparing their choreography, and are turning their attention (if they haven’t already) to planning their costumes. There are dozens of factors to consider when choosing/creating a costume, it’s easy to miss some. But the reality is that little details make a BIG
Last week I released Tough Love: Read at your own Risk (Part 1). You really should read that first, in order to put this article in perspective, and catch the points that are made about aspects of WCS outside of competition. This article is aimed specifically at Competitors. Whenever I start coaching a new student,
For social WCS dancing, you can wear whatever you want – no one is judging your 3T’s here. So be yourself. Be comfortable. But for competitions, it’s a different story. I wish there were some guidelines like this way back when I entered the scene, so I’m hoping to pass on some hard-earned wisdom.